A trio of brass display risers, each cut with an open Greek-key lattice and set on blocky, geometric feet — the kind of Chinese Chippendale detailing that moved through mid-century decorating in cabinets, mirrors, and garden stands alike. The three nest into a single stepped pedestal, largest to smallest, though each stands capably on its own.
The brass has taken on a deep, unpolished patina and verdigris — smoky clouds of oxidation across the tops, warmer gold at the edges where handling has worn it bright. We’re leaving it as found. This is the surface of decades, not a flaw to buff away, and it’s precisely what gives these their weight.
Use them stacked as a sculptural base for a bowl or small object, or separated across a console and shelf to lift smaller pieces into their own moment — obelisks, blanc de chine, a single opaline scent bottle.
